Sword Fencing Vs Sword Fighting in the British Army of the 1880s-1890sBy Matt Easton
'Action at the Malakand Pass' by S. W. Lincoln, 1896.

Hutton and his close friend Captain Cyril Matthey were two of the first people to consider how Army swordsmanship could be adapted from the classroom to a system that would work anywhere in the world against opponents using their own weapons and styles.
With their investigations into older fencing treatises, such as those of Marozzo, Silver and Alfieri, they drew upon grappling and other techniques to augment the typical sabre fencing repertoire of the Victorian era, to give it a more rounded approach for real combat in war. They even drew upon older knife techniques from various treatises, applied to the contemporary bayonet held in hand, the police truncheon, and more. Their approach was similar to how many modern MMA (mixed martial arts) operate, or indeed how some HEMA (Historical European Martial Arts) is taught, and military close combat, as taught during WW2 and ever since. Hutton and Matthey were pioneers of this approach.
However, due to a series of coincidences, I have recently come across the person who seems to have been the principal inspiration for Hutton's addition of the 1897 Defence Against An Uncivilised Enemy appendix to the 2nd edition of his manual The Swordsman: the 1st edition of which in 1892 had not included such an appendix.
This person was Colonel (Major at the time) Valens Congreve Tonnochy, of the Indian Army (3rd and 4th Sikhs). Tonnochy has left us some unique writings and views on the 1892/1895/1897 pattern swords, sword design in general, and the 1895 (Masiello) Infantry Sword Exercise. Moreover, Tonnochy was a rare writer on British Army swordsmanship, in that he was at the time an officer serving in India and Afghanistan, in the North West Frontier, having seen intense active service for several years, and ultimately dying in combat in 1902.
It is now very clear that it was Tonnochy's writings that inspired Hutton's, but also, Hutton's earlier writings in 'Cold Steel' had influenced Tonnochy.
Both Hutton and Tonnochy were critical of the 1892/1895/1897 pattern Infantry officers' swords, and more particularly of the 1895 (Masiello) Infantry Sword Exercise.
Portrait of Tonnochy in the Illustrated London News, 29 November 1902

Tonnochy had married Marjory Helen Bain (1858-1939) on 30 March 1885, in Glasgow. His family resided at various locations in Scotland, including in Edinburgh and Hamilton Place in Aberdeen, as well as two of his children being born abroad where he was serving.
He and his wife had six children together, all born in Aberdeen, except his first being born in 1888 in Burma and one in 1893 in Bengal.
Col. Tonnochy’s medal group, with C.B. for Mekran 1902. He was killed on the frontier later that year.
https://www.dcmmedals.co.uk/waziristan-1901-02-the-tonnochy-raid/
The development of swords and swordsmanship in Britain of the 1890s has been dealt with in depth in other articles here on Easton Antique Arms, and I urge readers to read those articles first.
To sumarise, in the 1890s the British Army, and specifically Infantry, changed to a new type of sword, with a narrower and stiffer blade, more suited to thrusting than cutting, and then a new (and I should say improved) hilt, featuring a grip that was easier to retain in the hand and a more protective steel hand guard.
In 1895 Colonel Fox and other officials approved a new Infantry Sword Exercise, which was essentially the work of Florentine fencing master Masiello. This new system was intended to be an improvement to the Tuohy and Angelo systems that had preceded it, as well as being appropriate to the new regulation sword.
Both the new swords and the new fencing system came under scrutiny and their fair share of criticism. As detailed in previous articles, the new sword was held by some to be too specialised for the thrust, and by others to be not specialised enough!
Moreover, it was noted that Masiello's specifications for the sword in his system (admittedly he is describing the practice sword, shown below) did not closely match the actual new British infantry officers' regulation sword, which was both heavier and balanced further from the hand than Masiello's instructions seem to indicate.
Masiello's system came under much criticism in Britain, although it also received praise from others. In part, this criticism stemmed from nationalism and the fact that it was an Italian import. But there were a list of specific grievances with Masiello's system, including the guard position, manner of cutting, the style of lunge, and perhaps most notably the lack of any leg attacks or defences to leg attacks. It is also worth noting that by the 1910s it seems that most officers in the British Army had already reverted to the Anglo-French sabre method, and this prevailed in subsequent Olympic sabre fencing manuals.
While Alfred Hutton famously published a rebuke to Masiello's 1895 system in 1896, Tonnochy also published a rebuke to the Masiello's system, and then a rebuke to the new regulation sword, which are both reproduced below.
Hutton could be argued to have had a vested interest in rebuking Masiello's system, as there was a fair amount of animosity between him and Colonel Fox (who championed Italian sabre method in Britain), and Hutton himself had been publishing sabre and bayonet manuals (in the Anglo-French style, with his own twist) since the 1860s until the 1890s.
Tonnochy is perhaps therefore a more impartial critic than Hutton was (although their specific criticisms were similar, and Tonnochy sings the praises of Hutton's Cold Steel manual), and his published rebukes touch on some very interesting aspects of military swords and their application in actual combat. His articles cover much wider issues than just criticising Masiello's manual.
This is the first time that Tonnochy's articles have been republished in full and analysed since the 1890s.

Therefore, Tonnochy absolutely correctly points out that manuals like the 1895 Masiello system were rather deficient in training the British officer for actual military service in the field. For a duel with sabres, something hardly any British officer even experienced in this period, these and similar manuals might seem excellent, but for military service they seem lacking in the most important things.
Two British authors had given a reasonable amount of attention to sword vs bayonet in recent history: John Musgrave Waite and Alfred Hutton. Angelo and earlier authors had occasionally given it a little attention and sword vs bayonet was a regularly featured competition in the numerous Assaults at Arms. Nevertheless, the subject had been rather overlooked and totally neglected in the Masiello manual.

Now that Tonnochy had raised this interesting and pertinent matter in a prestigious military publication, mentioning Hutton's own
Cold Steel manual (of 1889) no less, Hutton decided to pick up the glove and commit to paper a system of using the British infantry officer's sword against the sort of enemy that he might actually come up against in the 1890s.
This brings us to 1897, and the publication of "Sword Fighting and Sword Play", which would subsequently be added, with some changes, as an appendix to Hutton's foil and sabre manual "The Swordsman" (2nd Edition of 1897), where the appendix was titled "Defence Against an Uncivilised Enemy".
Hutton, probably with help from his friend Cyril Matthey, drew upon earlier historical combat methods for inspiration and advice, as he had also done in his manual Cold Steel of 1889. His principle source was the 'grips and closes' section of George Silver's backsword system (c.1599).
For the first time here I republish this "Sword Fighting and Sword Play", which is also available in scanned copy here.
SWORD FIGHTING AND SWORD PLAY
(BY CAPT. ALFRED HUTTON F.C.A.)
Reprinted from the "Indian Fencing Review" of January, 1897.
MAJOR VC TONNOCHY of the 4th Sikhs has recently published in the Journal of the United Service Institution of India some remarks on the present Infantry Sword Exercise:"What seems to me," he says, "to call for most special remark is the omission to consider the use of the sword in war," and he goes on to suggest the kind of opponent against whom an officer is likely to have to use his sword "(a) a savage armed with spear or sword and with or without a shield; (b) a civilized horseman armed with sword or lance; (c) an infantry soldier armed with a bayonet. There is not a hint he complains about how these attacks are to be met.
I myself am not an admirer of this sword exercise, but I must say that in this particular respect its compilers are not the only sinners. All the modern authors, with whose works I have come in contact confine their teachings to the more or less classical requirements of the salle d'armes, and when they do go beyond the merely classical, the Frenchman with his épée and the Italian with his little featherweight sabre, their efforts are devoted to training their pupils for the field of honour, not the field of battle, and the duel after all, serious as its results sometimes are, is almost as much hedged round by conventional rules and restrictions as is the courteous bout with foils in the fencing room; but when a man has to use his sword in war these conventionalities are like to be forgotten, and in the case of Major Tonnochy's "savage" may have to be disregarded altogether, as they are only useful when strictly observed by both combatants.
In speaking of the "savage" I think the gallant major must have had in his mind the Afridi armed with his tulwar or chara and his round shield, he being about the highest type of the barbarian double armed fighting man. Now, what will this Afridi do? or rather, first of all, what will he not do? He will not politely salute you, he will not come on guard in correct fencing room style and abstain from attacking until the blades have been engaged, and he will not in his fighting make use of the lunge and recover to which we civilized swordsmen are accustomed, for the very good reason that he knows nothing about these things; but what he must and will do is exactly what our English sword and buckler men did in the days of Shakespeare, at which time the lunge had not been invented. He will advance or retire more or less quickly as suits his purpose, with steps or "passes" as in walking or running, he will "traverse" or move round you in a circle looking out for a chance to come in, or he will rush you with a furious charge, his blows being mostly oblique downward strokes, and when attacked he will either parry with his shield and strike at the same time, or he will "fly out," i.e. jump out of the way, and this is a style of fighting to which we 19th century fencers are not much accustomed, so we must go back to our Elizabethan ancestors to find the best means of combating such tactics.
In those days there lived a sturdy English gentleman George Silver by name who devoted himself greatly to the study of arms and who in 1599 published a curious little book which he called his Paradoxes of Defence it is in itself a work of small importance but it serves as a kind of preface to a much more complete one which he afterwards wrote under the title of Brief Instructions upon my Paradoxes of Defence for the true handling of all manner of weapons This book for some reason or another possibly the death of the author never came to be printed it only exists in manuscript in the British Museum where it was discovered by my late friend Mr William London who made a complete verbatim and litteratim transcript of it which thanks to the kindness of his surviving relatives is now in my possession This Brief Instructions is to my mind the most valuable of all the ancient works of fence for it gives us in the most clear and concise terms the exact method of fighting in use among our English ancestors Silver uses in attack every part of the sword with which a blow can be given even the pummel a thing which lasted long after Silver's time it is recommended by Lonnergan 1771 the typical master of the prize fighting gladiators of the 18th century who advises if the case requires the speedy chastisement of an insolent adversary dart your pummel in his face and trip his heels There is one other part of the weapon which our modern English sword instructors have lost sight of and that is the false or back edge and this false edge well sharpened may on occasion prove very useful especially in dealing the terrible stroke known to students of old fence as the coup de jarnac it is done this wise having seized your opportunity of which more anon pass your point well behind the lower part of the advanced thigh of your enemy and then pull strongly when your
4 false edge will sever the great sinews of the ham and whatever else it may touch A similar cut may be given in the high lines at the back part of the neck Those old masters taught fighting we teach nothing but fencing now a days In complaining of the omissions of the compilers of the Infantry Sword Exercise Major Tonnochy virtually throws down a challenge to all writers on the sword question and this challenge I propose to meet by showing certain movements tricks if you like to call them so which though scarcely admissible in fencing room play may mean the saving of a man's life when fighting in grim earnest especially when opposed to such a rough customer as our typical Afridi It is from George Silver that I intend mostly to borrow who devotes an entire chapter to The manner of certain gryps and clozes to be used at the syngle short sword fyght etc the cloze means the inevitable corps à corps which must result from the furious rush of the enemy and the gryp means after having parried his cut the seizing of his sword hand with your own left followed by actions which I shall presently describe These things are extremely simple and may be used with advantage by a resolute man although he may not be a very brilliant swordsman accord ing to our modern notions and this is I think very much what Major Tonnochy wants The grips etc are to be effected as follows
GRIP I The enemy charges you with an oblique down ward cut at your left shoulder Parry high prime Advance your left foot and pass your left hand the thumb being downwards
and the back of your hand to your right under your own sword and seize his sword hand or wrist forcing it downwards and drawing it in towards your left side Actions of the sword a Very promptly deal him a strong blow on the right side of his head with your pummel b Throw back your right shoulder so as to prevent his seizing your sword arm and give him a thrust or cut in the high lines or if his lower parts are more open the coup de jarnac will be found very effective GRIP II a little On the same attack parry quarte step in and seize his wrist underneath forcing it upwards to your own left Actions of the sword a Drop the point of the sword to the rear over your left shoulder and give him the pummel b Draw back your right shoulder to prevent his gripping you and use your point or edge where he is most open c Pass your point over his left shoulder in such a way that the blade shall be in a transverse position behind him with the false edge against the back of his neck and draw your sword strongly towards you GRIP III The enemy charges you with an oblique down ward cut at your right shoulder







